Expositions de peintures : YO ALMODOVAR

My painting is a mystical experience that translates into introspection.
The absence of words "carried", "given", borrowed, stolen induces the desire for "PAINTING", a desire to paint.
The paintings are coded diaries: paradoxes offered but concealed.
The initial choice of painting is the choice of the ideal polysemy: not to be frozen by the word and the vanity of language.
Painting is the choice of semantic simplicity or semantic excess, with the same result: Painting is eminently "pretextual".
Painting makes it possible to summon the mesh of reality without apparent order, without the expected "rigid coherence": the "catch-all" is my claim, the "catch-all" of Existence... Painting is the receptacle of the resonance chamber of Existence.
A permanent logbook, painting records and imprisons events of all kinds. Painting is "THE" world, a labyrinth, a multiple architecture, a mesh of conceptual networks that creates the Work, the monster, the "product", the condensed precipitate of a "certain" Truth.
My painting is 'the' camera that crystallises the living, it deploys different layers of knowledge, different relationships to the world, it 'apes' life, it claims illusion, it hunts down sincerity.
To paint is to get close to the inside of the film, to the actress, to the actor, to the camera movement. To paint is to glide, to touch, to taste the Imaginary, to taste the Other.
It's a quest, a total undertaking, another skin, a Cervantes-like journey... ("I Am Not What I Am", Othello, Shakespeare)